It’s only in the past decade or so that zoom lenses have become the norm in photography. This Zeiss Milvus 21mm f/2.8 is a perfect landscape photography prime lens for truly serious Nikon shooters because it is a perfect wide-angle focal length. Ultimately I transitioned entirely to zoom lenses for my landscape photography. The 14mm prime lenses can be exceptional when it comes to landscapes. For the vast part of photographic history it’s been all about prime lenses, and they should still be carefully considered today. The debate over prime lens vs zoom lens won’t be settled in this article. On many zoom lenses, though, the maximum aperture will vary with the focal length, such as on an 18-200mm f/3.5-5.6: when the lens is zoomed out at 18mm, f/3.5 is the maximum, but it shrinks to f/5.6 when zoomed in to 200mm. In general, 20mm or 21mm is a great wide-angle focal length for a lot of landscape scenes. Prime or Zoom Lens? Many zoom lenses these days have a fixed aperture of f/2.8, which is ideal for shooting in low light. There is little indication that the RF lens collection will have … Prime lenses are considered best for portrait photography but don’t discount them for landscape photography as well. For prime lenses and some higher-end zooms it will be a single aperture, such as a 50mm f/1.8 or 70-200mm f/4. Landscape Photography Primes vs Zooms | Consideration #1 Nikon 14mm f/2.8 , Nikon 14-24mm f/2.8 G ED N ($1600) Okay, first and foremost: The notion that primes are ALWAYS sharper and better than zooms is now almost completely outdated. Some prime lenses have even faster fixed apertures of f/1.8, f/1.4 and f/1.2. And for some reason I still have the newer model of the 24mm f/1.4, a fine lens, though I have not used it in years. Often times, 24mm or 28mm just aren’t wide enough, and yet 14mm or 16mm are actually too wide. I still have a 50mm f/1.4, perhaps more for nostalgia than anything else. 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